‘During the festival, the building was scattered with installations curated by satellite event Proximity Music, all of which seemingly related to the corporeal. Israeli artist Amos Peled turned the ultrasound on himself to create nifty noisescapes under the name Phantom Limb, whereas Matteo Marangoni & Dieter Vandoren created a bunch of sound drones in the yard surrounding Nieuwe Kerk, all chirping within their unique frequency like a swarm of crickets.’
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